King Frederik picked up the brush himself to help create his first official portrait as monarch – but Danish critics are divided over the finished result.
The portrait, created by visual artist Cathrine Raben Davidsen over the past two years, was unveiled Friday evening in the Great Hall at Frederiksborg Castle.
It shows King Frederik in full uniform, standing in an abstract green landscape on a ground covered with marguerite flowers.
Some of those flowers were painted by the king himself.
Raben Davidsen asked King Frederik whether he would like to paint some of the marguerites, something he “really wanted to” do, according to the artist.
“He cared very much about painting these flowers. I thought it was nice in one way or another to allow him to also be a part of the work,” she says.
The marguerites are not there by chance. They are one of Denmark’s national flowers and also serve as a reference to Queen Margrethe, whose nickname is Daisy.
Getting to know the man behind the king
Raben Davidsen met King Frederik privately several times during the two-year process because she wanted the painting to reflect both the monarch and the person behind the title.
“It was important for me to get to know him as a human being before having to think of him as king as well,” she says.
Their first meeting took place in her studio. For their second meeting, the king invited her to Kongsøre Forest by the Isefjord.
The area has personal significance for Frederik, who spent considerable time there while training to become a frogman.
Raben Davidsen later researched the history of the area and discovered another royal connection. A royal oak once stood there, under which Frederik VII reportedly liked to stand during hunts.
“That brought yet another historical layer to it. That it was not just a special place for King Frederik, but it also had a reference to his family,” she says.
The landscape behind the king in the finished portrait is based on Kongsøre Forest and the royal oak.
Despite discussing the portrait with the king throughout the process, Raben Davidsen says she was given “completely free hands”.
She also admits that showing him the nearly finished painting for the first time was nerve-racking.
“It is certainly boundary-pushing, and you certainly hope that he can recognize himself in it,” she says.
She does not reveal how the king reacted.
But does he look like himself?
That question has also occupied Danish critics since the portrait was unveiled.
Politiken art critic Mathias Kryger sees a “slightly disarmed and worried expression” around the king’s mouth and eyes.
“Doesn’t he look more like Joachim than himself?” he asks, referring to the king’s younger brother, Prince Joachim.
Berlingske royal reviewer Jakob Steen Olsen also questions the resemblance, writing that the portrait “resembles without quite resembling”.
“You can easily see who it is supposed to depict, but the sum of the parts has not quite fallen into place,” he writes.
Steen Olsen also sees a different Frederik from the sporty and cheerful king Danes encounter at events such as Royal Run.
He compares the uniform to a “paper doll”, saying it creates the impression of a king “wearing a costume for the role he is to fill”.
Despite those reservations, Steen Olsen considers the portrait a successful effort.
Weekendavisen commentator Anne Sophia Hermansen takes a very different view.
She calls the portrait “alluring” and says Raben Davidsen has handled the task “exemplarily”.
“It can go completely wrong when a ruler is to be portrayed. (…) And it can go well, and that is the case with the first official royal portrait of King Frederik,” she writes.
Hermansen particularly highlights the king’s expression. While previous monarchs have been portrayed with “fine moustaches and magnificent sideburns”, she sees something different in Frederik.
His expression is “open and curious”, she writes, while his carefully painted stubble makes him look “like a human being more than a person of power”.
Kryger is considerably less enthusiastic.
He ends his Politiken review with a pointed question:
“How would it look if the painting of the king had been real art?”
On display at Frederiksborg Castle
The portrait was unveiled as part of celebrations marking the 150th anniversary of the Carlsberg Foundation, with King Frederik and Queen Mary attending.
From Monday, the public can see the painting at Frederiksborg Castle, home to Denmark’s national portrait collection, which includes thousands of portraits of monarchs, politicians, scientists and artists.
Raben Davidsen is the first female artist to paint an official portrait of a monarch for the Great Hall at Frederiksborg Castle.
She hopes visitors will look beyond individual details and experience the painting as a whole.
“I really hope that people will take the time to see it as a complete painting and notice the painterly qualities. That one can sense the human Frederik and King Frederik in this work,” she says.
RITZAU/Copenhagen Post