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    Dance

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    • Wednesday, 17 May, 2023
      Review
      Kunstenfestivaldesarts, Brussels dance review — queer identities and wild bodies

      Pieces inspired by transgender people in west Africa and hair-braiding feature in this experimental festival

    • Tuesday, 16 May, 2023
      Review
      Wayne McGregor’s UniVerse: A Dark Crystal Odyssey — superb dancing and fantastical imagery

      The choreographer’s apocalyptic adaptation of Jim Henson’s The Dark Crystal premiered in London

    • Monday, 15 May, 2023
      Review
      Sliding dancers and murderous mythical heroines — reviews

      GöteborgsOperans Danskompani tumbles at Sadler’s Wells and Trajal Harrell’s ‘Porca Miseria’ overstays its welcome at the Barbican

    • Thursday, 4 May, 2023
      Review
      Russell Maliphant embraces abstract expressionism in Vortex at Sadler’s Wells

      The movement in the choreographer’s new piece is in danger of being upstaged by the gorgeous imagery

    • Tuesday, 2 May, 2023
      Review
      Breakin’ Convention review — hip-hop dance festival fields uncomplicated delights

      Highlights of the annual event at Sadler’s Wells included South Korean flashdancing and Dutch soft-shoe slip-sliding

    • Monday, 1 May, 2023
      Review
      Maurice Béjart triple bill, Paris Opera Ballet — choreographer’s works make welcome return

      ‘The Firebird’ was revolutionary while ‘Song of a Wayfarer’ brought forth a new star dancer

    • Friday, 21 April, 2023
      ObituaryPierre Lacotte
      Pierre Lacotte, ballet archaeologist, 1932-2023

      The dancer and choreographer had a passion for history and reconstructing lost works

    • Friday, 21 April, 2023
      Review
      Nederlands Dans Theater, Sadler’s Wells — superb technique, questionable choreography

      Gabriela Carrizo offered witless pratfalls but Crystal Pite’s premiere on eco-themes was inventive

    • Monday, 17 April, 2023
      Review
      A Streetcar Named Desire, Scottish Ballet — grace and menace in the Deep South

      Tennessee Williams’s play gets a sultry dance treatment at the Theatre Royal Glasgow with a beguiling Ryoichi Hirano as Stanley

    • Tuesday, 28 March, 2023
      Review
      Five stars for Royal Ballet’s spruced-up Cinderella — review

      Tom Pye’s designs make Frederick Ashton’s masterpiece shine anew while Marianela Nuñez remains dream casting

    • Thursday, 23 March, 2023
      Review
      Broken Chord, Sadler’s Wells — sublime music for the tale of a South African choir

      Plus: Jemima Brown shines in a Tom Dale Dance Company double bill

    • Tuesday, 21 March, 2023
      Review
      Pit, Paris Opera Ballet — cocktail-party dance goes Gaga

      Bobbi Jene Smith and Or Schraiber use an expressive choreographic language but don’t develop characters

    • Saturday, 18 March, 2023
      Interview
      Carlos Acosta: ‘Plymouth is great but in New York you’ve got strong competition’

      Between hamstring stretches, the Birmingham Royal Ballet boss discusses fostering new talent and embracing Black Sabbath

    • Tuesday, 14 March, 2023
      Review
      Nina Simone’s life story vividly told in Ballet Black’s Nina: By Whatever Means

      Plus: Seeta Patel’s ‘Rite of Spring’ at Sadler’s Wells is an Indian-dance-inflected take on Stravinsky’s score

    • Monday, 13 March, 2023
      Review
      Five stars for the pyrotechnic Tiler Peck and Friends at Sadler’s Wells

      The dancer showed almost superhuman stamina and technique in a quadruple bill she also curated

    • Monday, 13 March, 2023
      Review
      Great Gatsby ballet puts flapper frocks and jazzy score to the fore — review

      Northern Ballet production dodges period drama clichés. Plus, ‘Woolf Works’ returns to the Royal Opera House

    • Monday, 27 February, 2023
      Review
      Dada Masilo’s The Sacrifice gives Stravinsky a South African twist

      The performers display strength and suppleness in a show at Sadler’s Wells rooted in the Tswana dance of Botswana

    • Sunday, 26 February, 2023
      HTSI
      The last dance? Inside the Vienna Ball

      People have predicted its demise for decades. But it’s whirling as powerfully as ever

    • Friday, 10 February, 2023
      Review
      Leonard Cohen dance tribute at Sadler’s Wells fails to raise hallelujahs 

      Ballets Jazz Montréal’s ‘Dance Me’ features some of the singer’s greatest hits

    • Tuesday, 7 February, 2023
      Review
      Pam Tanowitz’s Royal Ballet triple bill is fresh, witty and unique

      ‘Secret Things’ was an edgy world premiere set to an Anna Clyne string quartet

    • Sunday, 5 February, 2023
      HTSI
      La Bayadère boys

      In their restaging of the classic ballet, dancer Benjamin Pech and artist Ignasi Monreal have created the perfect pas de deux

    • Saturday, 4 February, 2023
      InterviewMusic
      Composer Anna Clyne: ‘Music with melody connects with something very deeply rooted in us’

      Her kaleidoscopic work has drawn on Emily Dickinson and London parks and has now inspired a new dance at the Royal Opera House

    • Wednesday, 25 January, 2023
      Review
      Acosta Danza’s Spectrum at the Linbury Theatre — five works glide by smoothly

      The London programme from Carlos Acosta’s company features fine dancers, but the choreographic choices are questionable

    • Tuesday, 24 January, 2023
      Review
      The Games We Play — Gandini Juggling show could do with more balls and fewer concepts

      Sean Gandini and Kati Ylä-Hokkala are dexterous and engaging in the hour-long London show

    • Friday, 20 January, 2023
      Review
      Mel C aims to spice up Julie Cunningham’s how did we get here?

      The Sadler’s Wells world premiere was earnest and introspective but lacked energy

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