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Orlando

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Orlando

By: Virginia Woolf
Narrated by: Clare Higgins
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About this listen

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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

The book opens with Orlando as a young nobleman in Elizabethan England who finds love with a Russian princess. During Charles II's reign, he is an ambassador to Constantinople and becomes a Duke. Orlando then goes on to wake as a beautiful woman, exploring the roles of women in the 18th and 19th centuries. Eventually becoming a wife and mother the tale ends in the year 1928, a year consonant with full suffrage for women. Upon plans to publish her 1588 poem 'The Oak Tree', written in the opening of the book, she reflects on her centuries of adventure.

An exploration of androgyny and the creative life of a woman, it is considered a feminist work. Arguably one of Woolf's most popular stories, it marked a turning point in her career, departing from her more introspective works. Receiving both critical and financial success, it guaranteed Woolf's financial stability.

There have been many adaptations made, including a 1992 film starring Tilda Swinton and an opera by composer Peter Aderhold which premiered at the Braunschweig State Theatre in in 2016.

Narrator Biography

Clare Higgins is an accomplished actress of screen and stage, winning three Olivier Awards for Best Actress for her roles in Sweet Bird of Youth (1995), Vincent in Brixton (2003) and Hecuba (2005). With a long and successful career in British and American theatre, she has also been a regular feature on our television screens. Her recent roles have included Miss Cackle in The Worst Witch (2017), Ohila in Doctor Who (2013 and 2015), Hazel Warren in EastEnders (2015) and Vivian in Rogue (2014).

Claire Higgins is probably best known for her memorable and sinister performance as Julia in the horror films Hellraiser (1987) and Hellbound: Hellraiser II (1988), with other film appearances including The Golden Compass (2007) and Small Faces (2006). With a voice and timing perfect for audio she has narrated many audiobooks, including Nick Hornby's How to Be Good and Joanna Trollope's The Best of Friends, and in 2009 portrayed Margaret Thatcher in the BBC Radio 4 drama A Family Affair.

Public Domain (P)2014 Audible, Inc.
Biographical Fiction Classics Genre Fiction LGBTQIA+ Creators Fiction Biography Celebrity Witty England Theatre Career

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Critic reviews

"Clare Higgins's supple, silky voice does justice to Woolf's literary landmark. The language of Orlando, peppered with alliterative phrases, flows effortlessly with perfect pacing by Higgins, and Woolf's dry wit shines through her performance." ( AudioFile)
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Virginia Woolf is an author I'd never read and felt that I probably should, so I was expecting this book to be "good for me" rather than particularly fun. I found myself pleasantly surprised, The writing was elegant and easily consumable. I was kept interested by the ideas raised and liked that they were posed in a meditative manner that one could take or leave without feeling hounded into agreement by the author.
I wouldn't read the book again for the story or the concepts, but the prose would definitely draw me back:
"For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver."
The narrator did an excellent job of not getting in the way of this introspective story.

Entertaining, if a little odd

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The narration is outstanding. It brought a book, whose tone I had struggled with, to life.
The novel itself is patchy. But I’m glad I persisted. It was worth it as it built up to the 1920s and the final introspections.
More ambitious than “the Waves”. The end is more satisfying, though

The best narration

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For me - this story did not stir me sadly. I liked the fluidity of the sexes, the descriptions of the nearness of the eras but sometimes I became bored by the style used by Woolf and a repetition of the description of the homestead.

Good descriptions of nature

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I adore Virginia Wools's work so this completely biased.
I love Orlando and have been enchanted by the narration. A hundred stars!

Magical story and magical storytelling

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A lyrical farce examining the evolution of gender roles from the 17th - 20th century. There were times when the writing style was quite confusing and I lost the thread of the story but it was never that difficult to be pulled right back.

Not one for those who need an explanation for everything as lots of things in this book seem to happen just because they do but I really enjoyed it.

Interesting

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