
The Lady from the Black Lagoon
Hollywood Monsters and the Lost Legacy of Milicent Patrick
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Narrated by:
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Mallory O'Meara
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By:
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Mallory O'Meara
2019 SCIBA Book Award Winner for Biography
A Hugo and Locus Award Finalist
Winner of the Rondo Hatton Classic Horror Award
The Los Angeles Times Best Seller
A Thrillist Best Book of the Year
A Book Riot Best Book of 2019
One of Booklist’s 10 Best Art Books of the Year
The Lady from the Black Lagoon uncovers the life and work of Milicent Patrick - one of Disney’s first female animators and the only woman in history to create one of Hollywood’s classic movie monsters.
As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, The Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre, there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short, and she soon after had disappeared from film history. No one even knew if she was still alive.
As a young woman working in the horror film industry, O’Meara set out to right the wrong and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success and where she went.
A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.
Don't miss Mallory O'Meara's upcoming novel, Girly Drinks!
©2019 Mallory O'Meara (P)2019 Harlequin Enterprises, Limited.Listeners also enjoyed...




















Critic reviews
2019 SCIBA Book Award Winner for Biography
A Hugo and Locus Award finalist
Winner of the Rondo Hatton Classic Horror Award
The Los Angeles Times best seller
A Thrillist Best Book of the Year
A Book Riot Best Book of 2019
One of Booklist’s 10 Best Art Books of the Year
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love this femenist history
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Fierce and fascinating
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Empower Us
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Reveling look at backstage Hollywood
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A truly wonderful, fast and satisfying read.
An honest bio about a fascinating talent
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Engaging Story, Great listen
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Near the beginning of the book, author,Mallory O'Meara explains that Milicent created the costume for the movie "The Creature from the Black Lagoon" and she was then sent on a tour (six weeks, I think) to promote the film. Even though SHE designed the costume and got NO credit in the film credits and she went along with saying her BOSS had designed the costume, in her absence, he lobbied against her, and when she returned she lost her job. She never was credited for any of her costume/makeup work before or after, and she never designed another movie monster costume.
A early passage in the book literally gave me goosebumps. O'Meara writes: "When I first heard Milicent's story, my heart lurched with a terribly familiar ache....I could easily put myself in her shoes. I have the same pair. Every woman in film has them They're standard issue and they're uncomfortable as hell. Almost every day of my life as a filmmaker, I face the same kind of infuriating misogynistic bullshit that Milicent faced in 1954. I didn't have to imagine what it felt like for her because I constantly feel it myself."
O'Meara continues: "So many women share this experience, women in every profession. We're ignored, sexually harassed, talked down to, plagiarized, and insulted in and out of the workplace.... I don't know a single woman working in my field or in any creative field or any field at all, who cannot relate to Milicent Patrick. It's not just her story. It's mine too."
I just watched the movie "On the Basis of Sex" about Ruth Bader Ginsburg and, maybe I'm giving O'Meara too much credit, but I think this passage could stand up there with some of RBG's inspiring court arguments.
Several times in the book I was similarly struck: it's not just what O'Mara says, it's the way she says it: the PERFECT words.
One flaw I found in the book is that it jumps around a lot chronologically. If I were writing a book, I guess I'd do the same. In fact, I am writing a book and I am doing the same -- sometimes my information is associated topically although the main organization is chronological. A second flaw is that sometimes the book is about the author's quest for information about Milicent rather than about Milicent herself. I could have done without that.
However, on the whole I highly recommend this book. I always hated monster movies (because they're scary!) but the book convinced me to try one again. Swayed by the author's argument that women are a big part of the audiences for horror movies because we are threatened in real life and movies give women a safe way to experience fear I tried to watch a recent monster movie. It wasn't terror that made me turn it off but aggravation; I found a recent Godzilla movie God-awful....(Great special effects though. Just didn't like the main female character....)
Started out Like a House Afire - Enjoyable
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This is a great book for feminism.
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Fabulous account of an artist almost erased.
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Fantastic! I completely loved this book!
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