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Damon Wise
Film Editor, Awards
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Damon has contributed to Deadline since 2017. As a journalist, his film features, interviews and reviews have been published in publications such as Empire, Total Film, The Guardian, The Times and The Financial Times, and as well as covering set visits and junkets, he is a regular attendee at key international film festivals. In 1998 he published his first book, Come By Sunday (Sidgwick & Jackson), a biography of British film star Diana Dors, and he is currently an advisor to the London Film Festival.
More From Damon Wise
Riz Ahmed: The Emmy-Nominated Actor On ‘Bait’, Bond Rumors & Opening For Wu-Tang Clan: “Nothing Carries The Cachet Of James Bond”
Riz Ahmed is used to taking chances. In 2012, he thought he was on the verge of a major breakthrough, having co-starred with James Gandolfini in the pilot for HBO's The Night Of series, playing an ostensibly clean-cut college student accused of a brutal murder. The following year, the Sopranos star…
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By Damon Wise
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3 Comments Comment on Riz Ahmed: The Emmy-Nominated Actor On ‘Bait’, Bond Rumors & Opening For Wu-Tang Clan: “Nothing Carries The Cachet Of James Bond”
‘Monster: The Ed Gein Story’ Showrunner Ian Brennan On Our Enduring Fascination With The Psycho Who Changed The Face Of Movie Horror
Watchmen writer Alan Moore's 1989 graphic novel From Hell used the 1888-1891 crimes of London's Jack the Ripper as a bloody overture to the coming violence of the 20th century, and even now the serial killer's trail of carnage seems hard to top. Well, it was until November 16, 1957, when Wisconsin…
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By Damon Wise
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‘The Odyssey’: What Do The Fates Have In Store For Christopher Nolan’s Homeric Epic As Awards Season Gets Under Way?
After the near-ecstatic reviews from critics for The Odyssey, tiny cracks are starting to show in Christopher Nolan's record-breaking juggernaut, and a small but vocal faction of the audience appears to be begging to differ.
Looking at Rotten Tomatoes, the ever-controversial aggregate site is…
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By Damon Wise
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‘Black Money For White Nights’ Review: The Cost Of Living Crisis Bites Hard In This Incisive Bulgarian Drama – Karlovy Vary
Bulgarian-language cinema is enjoying a moment this year, starting with Valeska Grisebach's extraordinary crime drama The Dreamed Adventure, which won the Jury Prize at Cannes back in May. The similarly incisive Black Money for White Nights, by Kristina Grozeva and Petar Valchanov, is very much cut…
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By Damon Wise
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Karlovy Vary Reveals Award Winners: Aung Phyoe’s ‘Fruit Gathering’ Wins The Crystal Globe
The 60th Karlovy Vary International Film Festival came to an end tonight after its starriest event for quite some time, doling out the famous Crystal Globe for Outstanding Artistic Contribution to World Cinema to the likes of Dustin Hoffman, Juliette Binoche, and cinematographer Robert Richardson…
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By Damon Wise
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Jesse Eisenberg On His New Film ‘The Debut’, The Surprise Success Of ‘A Real Pain’ And Donating A Kidney – Karlovy Vary
How many Oscar-nominated Hollywood stars can you name who have donated one of their kidneys to a complete stranger? As of now, the list probably just comprises Jesse Eisenberg, the awkward leading man in David Fincher's 2010 film The Social Network turned Oscar-feted writer-director of the 2024…
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By Damon Wise
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‘Rain Catcher’ Review: Michele Fiascaris Creates A Satisfying Mind-Bending Mystery With His Neon-Soaked London Noir – Karlovy Vary
London noir is a rare subgenre — and an especially difficult one to pull off — but Michele Fiascaris' debut Rain Catcher is a satisfying, seductively atmospheric addition to the canon that will keep even the most jaded of viewers on the alert. The largely unfamiliar cast lend an air of…
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By Damon Wise
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‘The Guest’ Review: Trine Dyrholm Holds Court As A Mother With Issues In Mads Mengel’s Emotionally Powerful Adult Family Drama – Karlovy Vary
"Family is family," notes a character at the beginning of Danish director Mads Mengel's low-key but emotionally gripping three-hander The Guest, at a point in time when the biggest problem facing Karl (Simon Bennebjerg) and Emilie (Mette Klakstein…
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By Damon Wise
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Robert Richardson Interview: The Three-Time Oscar Winner On Working With Oliver Stone, Predicting Tarantino’s Next Move, And The Wildest Shoot He Ever Worked On – Karlovy Vary
Robert Richardson, christened "Big Bad Bob" by Brad Pitt, took time of his insanely busy schedule to spend his July 4 weekend in the Czech Republic. The occasion was the world premiere of Robert Richardson: The White Devil, an eye-opening documentary directed by Czech filmmaker Jana Hojdová. The film…
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By Damon Wise
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‘Minions & Monsters’ Review: Animated Anarchy Hits The Hollywood Hills In Pierre Coffin’s Deliriously Cine-Literate Slapstick Comedy
While the Toy Story movies look to the digital future of entertainment, the Despicable Me franchise is going way, way back into its analog past. Even movie buffs will be surprised just how much of a deep dive into Hollywood history Pierre Coffin's latest animated offering, Minions & Monsters, is…
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By Damon Wise
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PBS’s Geoff Daniels Reflects On The Broadcaster’s Very Difficult Year: “We’re Vetting Every Single Dollar” – Sunny Side Of The Doc
"The idea of a public space is at risk of disappearing," said Boris Razon, Arte France's Editorial Director, speaking to international non-fiction marketplace Sunny Side of the Doc earlier this week. Another guest speaker at the same event knows this all too well from bitter personal experience; in…
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By Damon Wise
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‘Rogue Trooper’ Review: Duncan Jones’ ‘2000AD’ Adaptation Is A Fast, Funny, Visually Mind-Blowing Old-School War Movie – Annecy
With his fifth film, Duncan Jones reveals that he was always more of a futurologist than a sci-fi guy, even though, like his films that preceded it, Rogue Trooper is another look into the black mirror of technology. Like father, like son, you might think, given that Jones' famous father David Bowie…
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By Damon Wise
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