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Germain Simon a republié ceciGermain Simon a republié ceciPerformance meets versatility. LA1.16i is a multi-channel amplified controller for install that delivers discreet amplification. It has been designed to meet the needs of short and medium throw applications with its agile 16-channel format. Equipped with powerful embedded DSP and a compact 1RU format, LA1.16i maximizes channel density. Deliver power with flexibility for your next audio installation with our newest amplified controller.
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Germain Simon a partagé ceciBuilding L1 started with a question that sounds simple but took years to answer properly: what should a large-format system actually be capable of if you challenge the current line array design and come back to the core origin of the line source The answer became PULS: Progressive Ultra-Dense Line Source technology. The principle is to maximize the active radiating surface of the enclosure so that nearly every part of it is doing acoustic work. A single L1 enclosure achieves a 100% active radiating factor. A full array reaches 99%. That level of efficiency changes what is possible in terms of power, control, and system behavior at scale. Here is what that translates to in practice: 🔊 A ten-element L1 array delivers output that exceeds a thirty-element K1 array, with around 30% less hang height required 🎛️ 16-channel individual processing per enclosure via the LA7.16 amplified controller, giving precision control over every acoustic element 📐 Full three-dimensional pattern control: Panflex for horizontal directivity in mids & highs, integrated cardioid topology achieving 18 dB of broadband rear rejection, and Autofilter for vertical low-frequency shaping down to 20 Hz with zero added latency ⚡ Auto-lock rigging integrated directly into the enclosure, cutting setup time to roughly one third of a comparable captive rigging system 🚛 Up to 20% less truck space and weight compared to an equivalent K1 system, reducing both operational cost and environmental footprint V-DOSC introduced the line array concept in 1992. K1 set the touring standard for more than 15 years. L1 carries that lineage forward and by every metric that matters, sets a new one. We unveiled L1 at the Hollywood Bowl earlier this year, where it is now permanently installed. It is also currently on tour with Bruno Mars, Harry Styles, Joker Xue and Luciano Ligabue. The full product spotlight is worth reading if you want to understand the engineering behind it. Read more here: https://lnkd.in/eUJrU45R
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Germain Simon a partagé ceciAt L-Acoustics, we don't just make sound systems — we shape how the world experiences concert sound. Today, at our Keynote 2026 from the Hollywood Bowl, we unveiled the L1. A system built on a single, uncompromising promise: Best Sound. Most Control. Highest Efficiency. Whether it's a stadium or arena tour, a festival stage, or the most iconic venues on the planet, we are committed to delivering sound at the absolute highest level of performance — for artists, for engineers, and most importantly, emotions and goosebumps for every person in the audience. 🎶 — Now a more personal note… Standing on that stage today was one of the most emotional experiences of my career. Three years ago, from this very same stage at the Hollywood Bowl, we revealed the L2 to the world — and the success that followed has been truly humbling. But today felt different. Today was the L1. Having had the privilege of being the Product Manager for the L1 — carrying this product from its earliest days all the way to that stage — and then standing there to reveal it to the world… I won't find the words easily. It is simply one of the biggest moments of my career, and an incredibly emotional one. But a moment like this is never a one-person story. It is the result of an entire team pouring their heart into something extraordinary. And what a team it is — not only extraordinarily talented, clever, creative, and technically brilliant, but also, simply, wonderful human beings. Working alongside them is a real joy, and it makes building products like this one an even greater pleasure. I am so proud of what we built together. And I can't wait for the world to hear it. 🙏 #MeetTheOne #Keynote2026 #LAcoustics #L1 #LiveSound #ProAudioGermain Simon a partagé ceci#MeetTheOne Our Keynote is live on YouTube. Watch here: https://bit.ly/4a1bj4G
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Germain Simon a republié ceciGermain Simon a republié ceciOui on représente L’Essonne 91 🫶 😎 https://lnkd.in/e5vZh32GL-Acoustics fait rayonner l’Essonne dans les concerts du monde entier #innovantpourlongtempsL-Acoustics fait rayonner l’Essonne dans les concerts du monde entier #innovantpourlongtemps
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Germain Simon a republié ceciGermain Simon a republié ceciWe are incredibly honored and surprised to have won the “Concert Sound Company of the Year” Pollstar award. We wish to thank Pollstar for this recognition, our team for their passion and dedication, and to everyone in the industry who took the time to vote for us. Most importantly, we believe this award first and foremost honors the work of our touring certified providers who help the artists connect with their fans through great sound night after night. We thank you for your relentless hard work, technical expertise, and passion to create the best shared sound experiences with L-Acoustics. This award is yours! 🔊👏
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Germain Simon a partagé ceciLooking for a Compact yet Massive Impact ? Here is your sound answer ! https://lnkd.in/et5EVWJKProduct of the Month: K3 - Compact Form, Massive Impact - L-AcousticsProduct of the Month: K3 - Compact Form, Massive Impact - L-Acoustics
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Germain Simon a republié ceciGermain Simon a republié ceciSingapore is feast for the eyes and for the tastebuds. As a first visit (both to Singapore and to Asia), I am so impressed. Our APAC Headquarters opening here was a special moment to meet partners for the first time after a decade of working together, and to make new friends. I experienced my first lion dance (and now, no opening celebration will ever feel the same without it) and so many other touches of local warmth and hospitality. To Timothy Z. and my excellent APAC colleagues, I wish you the best in your (our) new home. To Gerald Fong and the Concept Systems Technology team, thank you for being as wonderful and welcoming in person as you are over email. Industry friends, please make sure to stop by to see the new space, and especially the L-Acoustics Creative Center! https://lnkd.in/eP9vtq2ZL-Acoustics opens new APAC HQ in Singapore, launches immersive L-ISA Creative StudioL-Acoustics opens new APAC HQ in Singapore, launches immersive L-ISA Creative Studio
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Germain Simon a republié ceciGermain Simon a republié ceciExplore how Janet Jackson's Vegas residency is making headlines with L-Acoustics' L-ISA Immersive Hyperreal Sound technology! The acclaimed residency prepares for its return this May to Resorts World Theatre, presented by Concerts West/AEG Presents. The 14.1 L-ISA Hyperreal Sound system, designed by Sceno Plus and integrated by Solotech Inc., utilizes over 200 L-Acoustics speakers with design support from the L-Acoustics Application team. Production Resource Group (PRG North America) provides the FOH and monitor control package for this hyperreal residency. Images: Solaiman Fazel
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Germain Simon a aimé ceciGermain Simon a aimé ceciJamais 2 sans 3 Mais comment peut-elle fêter ses 15 ans de boîte alors qu’elle a été licenciée en 2018 ? Tout simplement parce que la justice m'a donné raison pour la troisième fois. Après plus de sept ans de procédure, la Cour d'appel de Versailles a rendu deux arrêts qui rétablissent la vérité. 📌 Le 10 septembre 2025, la cour a confirmé la nullité de mon licenciement en retenant trois fondements : le harcèlement moral subi, le harcèlement sexuel et le manquement à l'obligation de sécurité de l'employeur, ainsi que la violation de ma liberté d'expression. La cour a également jugé que mon licenciement constituait une mesure de rétorsion à la dénonciation, en juin 2018, des propos à caractère sexuel tenus à mon encontre lors d'un séminaire d'entreprise. La cour a par ailleurs constaté l'existence d'un contexte de « sexisme ordinaire » dans l'entreprise, mais aussi de propos discriminatoires liés à mes origines. La cour a condamné l'employeur pour son absence de réaction face aux propos sexistes et visant mes origines, ainsi que pour son maintien d'une « ambiance blagueuse » inappropriée. Ce constat confirme celui déjà posé lors de ma relaxe pour diffamation prononcée par le tribunal correctionnel de Paris le 21 octobre 2022. La cour a également mis en lumière les procédés employés par mon employeur. Elle a constaté que l'enquête interne menée par la direction des ressources humaines aboutissait à une synthèse qui ne reprenait pas fidèlement les propos des témoins entendus, certains éléments à ma décharge ayant été omis. La cour a relevé qu'un témoignage produit contre moi avait été rédigé le jour même de mon licenciement, à la demande expresse de l'employeur. Les autres témoignages versés au dossier ont été écartés par la cour. 📌 Le 18 février 2026, la cour a tiré les conséquences de cette nullité en ordonnant ma réintégration avec conservation de mon ancienneté et en condamnant la société au versement de l'intégralité de mes salaires depuis ma demande de réintégration jusqu'à mon retour effectif, sans déduction des revenus de remplacement, en raison de l'atteinte à une liberté fondamentale. Alors oui, aujourd'hui, je fête bien mes 15 ans de CDI. Pas par fiction juridique, mais parce que la justice a reconnu que je n'aurais jamais dû partir. Je suis extrêmement soulagée et reconnaissante de cette décision. Soulagée que la Justice, malgré sa lenteur et son coût, soit rendue. Jamais 3 sans 4. La suite au prochain épisode. XoXo La salariée de Schrödinger
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Germain Simon a aimé ceciGermain Simon a aimé ceciJe suis restée silencieuse cette dernière année. Aujourd'hui, je reprends ma liberté d’expression. Je ne me tairai plus. Je n’ai pas peur. Je sais que c’est ma parole qui me libère. Je sais que c’est ma parole qui les fait trembler. Alors on va continuer à raconter. Toujours. Encore. La vie c’est des saisons. Le repos. Le combat, aussi. Le repos fait partie de la lutte. Alors ce sera à mon rythme, selon mes règles que je vais vous raconter une histoire. Celle d’une femme qui appris à s’aimer sainement et profondément, de plus en plus, chaque année avec ses multiples identités. Sur ce chemin elle usa d’une de ses libertés fondamentales, la liberté d’expression pour apprendre à poser des limites. Les siennes et celles de la loi. D’abord elle s’est tue. Puis il a fallu apprendre à trouver les bons mots, le vocabulaire des limites. Les bons mots ont permis de mieux comprendre les situations de franchissement de limites. Ah c’est donc pour ça que l’alarme interne sonnait aussi fort. Une fois les termes des limites maîtrisées, elle a décidé de ne plus se taire. Elle a d’abord chuchoté, puis parlé, puis crié. C’est donc l’histoire d’une femme qui s’aime tellement fort, que tant qu’elle vivra, elle dira. Peu importe le format.
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Germain Simon a aimé ceciGermain Simon a aimé ceciA fun evening last night with Luke Thomas, Russell Sage, Phil Pini, Angela Appleby & Durgesh Sinh talking all about collaboration between interiors & tech at the eggersmann Kitchens Home Living London Showroom. Thanks to Crestron Electronics & John Cullen Lighting for organising.
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Germain Simon a aimé ceciGermain Simon a aimé ceciWhen we decided to start R&D work on active acoustics systems (many years ago), it was with the vision that this technology could go beyond its traditional use-cases for theatres and classical music. Today, it is great to see that L-Acoustics Ambiance is used in many creative ways. A first example is the Abba Voyage show in London. A second one is its use in major corporate events. And the most recent one is its use at Refik Anadol’s Dataland museum, where the technology contributes to the audience immersion. It is energizing to watch creativity making the most of technology. Years of hard work to shape beautiful experiences. Congrats to all involved! https://lnkd.in/ep3NeZUfDATALAND Museum of AI Arts In Los Angeles Opens With L-Acoustics - ProSoundWebDATALAND Museum of AI Arts In Los Angeles Opens With L-Acoustics - ProSoundWeb
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Germain Simon a aimé ceciGermain Simon a aimé ceciAprès 10 années passionnantes à créer, développer et faire grandir LA 8e NOTE, une page importante de ma vie professionnelle se tourne aujourd’hui. Cette décennie d’entrepreneuriat aura été riche d’enseignements, de rencontres et de défis relevés avec fierté. Avec Quentin et Ronan, nous avons bâti bien plus qu’une simple structure : nous avons construit une identité, une vision et une exigence de qualité reconnues par nos clients et partenaires. J’ai toujours eu à cœur que l’on ne fasse pas appel à une personne, mais bien à une entité forte, portée par des valeurs de rigueur, de confiance et d’excellence : LA 8e NOTE. Aujourd’hui, nos chemins professionnels se séparent, en bonne intelligence et avec respect. Je souhaite sincèrement à mes deux associés le meilleur pour la suite de l’aventure LA 8e NOTE, ainsi qu’un avenir à la hauteur de tout ce que nous avons su construire ensemble. Pour ma part, je prends un nouveau départ. Avec humilité, mais aussi avec la conviction que l’expérience acquise au cours de ces 10 années me permet désormais d’apporter encore davantage à mes clients, à mes partenaires, ou à toute structure souhaitant relever de nouveaux défis. Avoir eu l’opportunité de contribuer à des projets d’envergure, parmi lesquels les Jeux olympiques, a renforcé cette capacité à évoluer dans des environnements complexes, exigeants et à forts enjeux. Deux voies s’ouvrent désormais à moi, et je les accueille avec le même enthousiasme : * Continuer à entreprendre et développer ma nouvelle société, avec toute l’énergie, la passion et l’exigence qui m’animent ; * Ou mettre cette expérience au service d’une entreprise solide, ambitieuse, en quête d’un profil capable d’allier vision stratégique, leadership et excellence opérationnelle. Je serai reconnaissant pour vos encouragements dans cette nouvelle étape, tout autant que pour les opportunités, rencontres ou échanges qui pourraient naître dans les semaines à venir. L’avenir se construit rarement seul. Il se construit grâce à la confiance, aux rencontres et à l’envie commune d’aller plus loin. À très bientôt pour la suite avec: i o www.i-o-fr.com
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Germain Simon a aimé ceciGermain Simon a aimé ceciWrapping up H1 the best way I could: completing K1 training! Behind every system and tower are hours of teamwork, coordination and trust. A huge shout-out to every professional involved, and wishing you all a SAFE and FRUITFUL festival season! Btw, wanna know a fun thing to do while waiting for load checks or next trucks to roll in? Check out our Training Calendar and plan your upskilling journey for yourself or your team :) New H2 training dates in our HQ & office cities Marcoussis, London, and Singapore, as well as online courses (EN, FR, ES, DE), have just been published: https://lnkd.in/exHHNu8F See you at the next training! #OtherFunThingsToDoDuringLoadCheck #LiveSound & #LoveSound #LAcoustics
Expérience et formation
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L-Acoustics
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Licences et certifications
Publications
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AES 127 Simon Olive Welti Effect of Whole Body
AES Paper of October 2009
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The Effect of Whole-Body Vibration on Preferred Bass Equalization in Automotive Audio Systems
Audio Engineering Society
A set of experiments studied the effect of whole-body vibration on preferred low frequency equalization of an automotive audio system. Listeners’ bass equalization preferences were measured for four different music programs reproduced through a high quality automotive audio system auditioned in situ (in the car) and through a headphonebased binaural room scanning (BRS) system. The task was repeated while the listener experienced different levels of simulated and real whole-body vibrations…
A set of experiments studied the effect of whole-body vibration on preferred low frequency equalization of an automotive audio system. Listeners’ bass equalization preferences were measured for four different music programs reproduced through a high quality automotive audio system auditioned in situ (in the car) and through a headphonebased binaural room scanning (BRS) system. The task was repeated while the listener experienced different levels of simulated and real whole-body vibrations associated with the automotive audio system itself. The results reveal that the presence of whole-body vibration can reduce the preferred level of bass equalization by as much as 3 dB depending on the program, the level of vibration, and the individual listener. Evaluations of a virtualized automotive audio system were judged to sound closer to the actual system when the simulated vibrations were included.
Autres auteurs -
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The Effect of Whole-Body Vibration on Preferred Bass Equalization in Automotive Audio Systems
Audio Engineering Society
A set of experiments studied the effect of whole-body vibration on preferred low frequency equalization of an automotive audio system. Listeners’ bass equalization preferences were measured for four different music programs reproduced through a high quality automotive audio system auditioned in situ (in the car) and through a headphonebased binaural room scanning (BRS) system. The task was repeated while the listener experienced different levels of simulated and real whole-body vibrations…
A set of experiments studied the effect of whole-body vibration on preferred low frequency equalization of an automotive audio system. Listeners’ bass equalization preferences were measured for four different music programs reproduced through a high quality automotive audio system auditioned in situ (in the car) and through a headphonebased binaural room scanning (BRS) system. The task was repeated while the listener experienced different levels of simulated and real whole-body vibrations associated with the automotive audio system itself. The results reveal that the presence of whole-body vibration can reduce the preferred level of bass equalization by as much as 3 dB depending on the program, the level of vibration, and the individual listener. Evaluations of a virtualized automotive audio system were judged to sound closer to the actual system when the simulated vibrations were included.
Autres auteurs -
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K3 virtual Launch
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Voir la publicationScott Sugden, Germain Simon and Tony Szabo of L-Acoustics hosts this video outlining the features of the new dual-10” K3, the company’s smallest full-range line array enclosure, providing the L-Acoustics contour from an enclosure that’s 33% smaller than K2 and weighs only 95 lbs. The K3 is ideal for professional sound reinforcement applications that require plenty of power and bandwidth from a small form factor, such as mid-size tours, festivals, corporate events, religious services and other…
Scott Sugden, Germain Simon and Tony Szabo of L-Acoustics hosts this video outlining the features of the new dual-10” K3, the company’s smallest full-range line array enclosure, providing the L-Acoustics contour from an enclosure that’s 33% smaller than K2 and weighs only 95 lbs. The K3 is ideal for professional sound reinforcement applications that require plenty of power and bandwidth from a small form factor, such as mid-size tours, festivals, corporate events, religious services and other productions with audiences ranging from 1,000 to 10,000. The current K3 is shipping now; a k3i installation-specific version is due out in 2021. For more info on the L-Acoustics K3, visit: l-acoustics.com/en/product/k3/
Projets
Langues
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French
Bilingue ou langue natale
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English
Capacité professionnelle complète
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Spanish
Notions
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Italian
Notions
Organisations
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UBAC
Associé(e) chez Ubac_shoes
- aujourd’hui@ubac_shoes est une marque de baskets en matières naturelles et recyclées. Elle a l'ambition de créer des filières textiles plus vertueuses en s'engageant localement autour de la laine recyclée et du chanvre. #Inspiré par la nature, conçu pour le futur, rejoignez le mouvement @ubac_shoes
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