Telling the Truth Slant: The Circuitous Course
The author of Mock Heart: New & Selected Poems (Knopf, 2026) encourages poets to let truth surprise them in the writing process.
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In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.
The author of Mock Heart: New & Selected Poems (Knopf, 2026) encourages poets to let truth surprise them in the writing process.
The author of The Man in 119 (Copper Canyon Press, 2026) invites poets to embark on an experimental dance and embodied writing exercise.
The author of The Man in 119 (Copper Canyon Press, 2026) creates a generative writing board game inspired by Emily Dickinson.
The author of The Man in 119 (Copper Canyon Press, 2026) reflects on erasure and encouragers writers to experiment with the form.
The author of Hidden River (Tortoise Books, 2026) encourages writers to say what they need to say, regardless of industry trends.
The author of Hidden River (Tortoise Books, 2026) encourages authors to find pastimes to supplement the writing life.
The author of Hidden River (Tortoise Books, 2026) encourages writers to pursue multiple projects simultaneously.
The author of Did You Find Everything You Were Looking For? (Norton, 2026) considers the value of combining incongruous images in poetry.
The author of Did You Find Everything You Were Looking For? (Norton, 2026) encourages poets to practice daily observation in writing.
The author of Patient, Female (Milkweed Editions, 2026) encourages writers to experiment with radically different forms to combat the blank page.
The author of Patient, Female (Milkweed Editions, 2026) reflects on how painful experiences can carry comedic potential for writing.
The author of Patient, Female (Milkweed Editions, 2026) encourages writers to experiment with perspective to find humor.
The author of Discipline (Random House, 2026) considers the propulsive effect describing art can have on fiction.
The author of Discipline (Random House, 2026) reflects on the value of blending interior and exterior language with less punctuation.
The author of Discipline (Random House, 2026) reflects on fusing points of view in fiction.
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) offers insight on how to make time for writing when it feels like there’s no time to spare.
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) encourages writers to embrace being an amateur in all corners of their lives.
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) encourages writers to write without an outside reader in mind.
The author of Pulse (Omnidawn, 2026) offers insight on how to approach writing sensitively about one’s most intimate relationships.
The author of Pulse (Omnidawn, 2026) considers how metaphor can help metabolize anger.
The author of Pulse (Omnidawn, 2026) considers how one can morally bend the truth in poetry.
The author of Clutch (Tin House, February 2026) describes the rigorous line work that went into finishing her manuscript.
The author of Clutch (Tin House, February 2026) reflects on adjusting rising and falling action across time in fiction.
The author of Clutch (Tin House, February 2026) reflects on poetic time, dialogue, and writing effective scenes.
The author of Cord Swell (Norton, 2025) considers the power of leveraging different media in poetry.